Shit. This’ll be the third time I try to review this record. Let’s hope I don’t scratch the CD any more or my crappy computer doesn’t crash from overheating again before I reach the end. Anyway:

This record came out on Monday 28th July. It’s in a limited edition of 500 in translucent red, which is cool because everyone knows that coloured 7″s are totally down with the kids now. And translucent red is always the best colour to have your vinyl. You can buy it here: www.myspace.com/brewrecords.

This review is pretty redundant. Not only because it’s late, but because you can listen to both sides of it here: www.myspace.com/kongdom.

But whatever. Maybe you want to read a little whilst you listen. So who are Kong? A power trio (guitar, bass, drums) from Manchester, I heard they contain members of Oceansize (who released their debut 7″ on Diskant-related label Errol back in about ’99) and Amplifier (who I have a demo CD by that must have come out in about 2000 and are apparently still going). There are a bunch of videos of them on Youtube, the most pertinent of which is probably this:

[youtube]http://www.youtube.com/watch?v=LjHkWdB7gLU&feature=related[/youtube]

From this video you can make out a penchant for clown masks; that their guitarist manages to make a Fender Stratocaster sound really nasty for the first time I can remember in years; that their bassist seems to wish he was Andy from That Fucking Tank:

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