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stuff i like

Posted: January 6th, 2003, by Ollie

ok ok, so my plan to kick-start the blog by spurring a frenzy of blazin’ squad appreciation didn’t go completely to plan. still, people are blogging again, so i might as well join in with the ‘stuff i like’ lists…

sweet lord yes!
those new chocolate bars with smarties in
chocolate in general
the horrible christmas rush at work being over
cold crisp mornings

hell no!
cold crisp mornings
bouncing rent cheques
money/banks/the western world in general
that guy from busted’s eyebrows, terrifying

i’ll have some of that action

Posted: January 5th, 2003, by Simon Minter

i’ll have some of that action

Things I like:
– My Beach Boys car tape which spans their whole career and Brian Wilson’s descent into loopydom within 45 minutes
– The film, 24 Hour Party People
– Oxford, which so far appears to be even more beautiful than Reading
– My new Bialetti coffee maker

Things I don’t like:
– The very real, imminent possibility of a driving ban due to getting caught speeding too many times. And yes, I KNOW it’s my own fault
– Coldness

Happy new year!

Posted: January 2nd, 2003, by Marceline Smith

Well, I suppose it’s down to me to make the first post of 2003 and wish all our readers a happy new year! Everyone at diskant’s new year resolution is to blog more..ahem! Not that I’ve got anything to post, unless you want to hear the intricacies of postal sorting. You do? Ah, great. Oh, wait, I’m bound by the Official Secrets Act and can’t tell.

Err, right. Well, let’s bring back THINGS I LIKE.

Things I like:
– boingy retro sounding dance music [Yummy Fur, 808 State, Autechre, Pet Shop Boys]
– my new sandwich press. mmm, toasted sandwiches
– my old keyboard which apparently is the same one Low use!
– the enormous pile of books sitting by my bed waiting to be read

Things I don’t like:
– digging out old 7″s and discovering they’re not really that good any more
– not getting anything edible for christmas [unless yellow flower bulbs count]
– waiting for the diskant badges to arrive
– WHY ISN’T THERE ANY SNOW?

[CHORUS]

Posted: December 30th, 2002, by Ollie

[CHORUS]
Call me baby, we can get hot
Come and get my love girl on the wo
1, 2 wacha gonna do?
Stay at mine, sounds fine
Say your gonna feel me, baby that can thrill me
Up and down
Round and round
Call my number; we’ll make love on the line [ALL]

I know you gotta go away, for quite a while
But you can pick up the phone, and you can dial
And when you’re feeling lonely, I can see you right through
And if you tell me that you want it
Then I can make love on the line with you [Rocky B]

I’m gonna miss your body, perfume on your skin
You say you’re gonna feel me, girl that can thrill me
Cos you can call me anytime
For love on the line [Reepa]
(Love on the line) [Krazy]

[CHORUS ALL]

We can chat all night and day girl
When I’m home or away girl
Just give me a call on my line girl
You can be all mine girl
And when we are talking I picture your eyes on your pretty face
With the gloss on your lips, soft mm, skin
And the body I’ll embrace [Strider]

Just make love to me
And give it to me the way you wanna
And everything you ask of me, you know I’m gonna
Cos you can be mine any time
(Any time) [Flava]
For love on the line [Kenzie]
(Love on the line) [Krazy]

[CHORUS ALL]

When I wake you in the night
Girl I’m gonna do you right
We can live a fantasy
And loves bo wo
Imagine that I’m touching you baby
Can you feel me to? [Krazy & Tommy B]
Call my number
For love on the line [Krazy]

[CHORUS x2 ALL]

I’ve got a new job too

Posted: December 9th, 2002, by Marceline Smith

It’s markedly less glamorous than Adrian’s though since I am, woo, a christmas postal sorter. I’m doing mail for London so if you’re expecting anything from the Glasgow area and it’s late you can quite possibly blame me! Now, the more mail there is making its way through the Glasgow area, the longer they’ll be needing to keep me on. So if you all send me a christmas card you’ll be wishing me a merry christmas AND keeping me in a job. In fact, send me a mix tape as well so I’ve got something new to listen to on my rather long and boring walk to and from work. I appear to be walking along the route of the Dodgy Pub Crawl – there’s about 12 of them, none of which I would set foot in on fear of stabbing. Email the diskant Robot for the diskant postal address. Also, me working 6 days a week for the next while means diskant updating/mail replying may go somewhat out the window. My advance apologies for being a lazy slacker. I need the money though. Blub etc.

London

Posted: December 8th, 2002, by Adrian Errol

Well it seems with diskant being broke recently the usual tardiness of most bloggers has not improved and so I figured I’d try to buck the trend and actually post something. A week ago today I moved to London to start my new job at Southern Records and it was some week. Three gigs (The Apes, Nina Nastasia and Billy Mahonie) later and lots of effort trying to work out what my new job actually involves has left me a little frayed around the edges but hey it’s been fun. Of the three gigs I have to say Billy Mahonie were the best. They debuted their new line up (kev & Hywell have left) one bass guitar being replaced by a normal guitar and some new songs. I was a little worried how they’d be live after Hywell left but these fears were unfounded ‘cos they were excellent and the new songs bode well for the future of the band. Apart from that I’ve not much to add aside to say I’m missing the diskant list’s inane chatter and my computer/stereo/records. If you are one of the nice people that check out the diskant gig guide then I apologise for the lack of updates between now and the new year but Marceline will be doing her best to keep things as up to date as possible!!! So for now then all I have to say is if I’m not back before Christmas then a hope a good time is had by all and keep your eyes peeled in the new year for a new Errol website and errol-y release including the stunning Reynolds album. Egg nog all round then…

I’ve just had my faith in unknown bands reaffirmed

Posted: November 27th, 2002, by Chris H

That’s better than what happens most Tuesdays….

I saw, for £3 at West 13th, Scatter a glasgow band who act like a collective and have a toy trumpet, double bass and electric mandolin. They sound like early Velvet Underground in a free jazz mood but not so free and hostile as to be molesting your ears. Atmospheric, moody and not like anything I’ve heard for a while. I’ll be hunting out their next gig and there aren’t many Glasgow bands I’d say that about.

I also saw Vialka (I think it’d be fair to call them Slovenia’s Finest) who I was even more impressed with. Having gone along purely on the basis that if someone’s come from the other side of Europe to play, it’d be rude for me to not wander down the hill to see them, I was pleased to find that they are Very Good Indeed. They look like The White Stripes, one bass one drumkit two uniforms, but they sound a bit like God Is My Co-Pilot, Kenny Process Team, Fighting Red Adair and a (tiny bit like a) minimalist Melt-Banana, i.e. spiky off-kilter indie punk or whatever it’d be called, fast and tight with added showmanship. They present the ‘Tonight We Show You Fuck’ Show with a lounge-y opening tape, amusing banter and a football rattle to help you know when to applaud (this wasn’t necessary as they went down a squall – good crowd tonight too).

They are playing Newcastle (Head of Steam), Leeds and London before going home. You Really Should See Them. [Even if the music wasn’t reason enough (it is), they finish the set in their underwear.]

Eighties Matchbox B-Line Disaster, Sleazys, Glasgow

Posted: November 24th, 2002, by Marceline Smith

I was enticed out on Friday to see the Eighties Matchbox B-Line Disaster but I was far more interested in the local support bands Torqamada and Fighting Red Adair. Anyway, I got there to find the bar packed with lots of trendy student types which always depresses me. It’s not that I like smaller gigs ‘cos I’m an elitist snob [well, okay, maybe a bit] but mostly because popular bands = loads of people in small space = me feeling claustrophobic and having the choice between squishing myself into the front of the moshpit or having a nice view of someone’s back for the whole gig. It was okay for Fighting Red Adair as people were still arriving and stuff so we stood near the front for moral support. Mind you FRA kind of do better when the audience is a bit unfriendly – gives them something to be offensive about and puts a bit of a hostile edge on their performance. FRA were good – they played a few new songs, a few old ones with an extra guitarist/keyboardist [the latter instrument adding an amusing new dinky facet to their sound] and were sounding rather impressive and powerful until Jim did the inevitable bass string breaking and it all faltered into heckling and frustration. If they were famous they’d be the kind of band that missed an important TV appearance because they were throwing stale doughnuts at eachother in the park down the road or something.

After this, things got very packed and I only got to watch the top of Torqamada’s heads. Which was a damn shame as from what I could see they had some pretty impressive make-up and outfits going on. Torqamada truly believe they are the reincarnation of an American 70s punk metal band and they do it with style and conviction. All makes for a hilariously enjoyable show. I’m not the biggest fan of squealy guitar solo metal but this was fun. Will be huge by this time next year if I’m not mistaken.

And then it was time for the final act. I’m not overly impressed with the 80s Matchbox Your Name Is Too Long – from what I’ve heard of their records they’re a damn sight better than a lot of the stuff the NME is hyping but they still have that ‘why?’ element. Why are they so popular? The songs aren’t that great, they’re not particularly attractive or exciting. I just don’t get it. So they come onstage and play a song that I recognise and it sounds pretty good. Then they play another song and it sounds pretty much the same. And then they play another song and it also sounds pretty much the same. And then I got bored and went home.

Here’s some news for you

Posted: November 20th, 2002, by Chris H

Michael Moore Personal Appearance at the Cameo Cinema

“We are delighted to announce that Michael Moore will make a personal appearance at the Cameo on Monday 25 November. After a Q&A session in Screen 1 before the 9pm performance of Bowling for Columbine, he will sign copies of his new book “Stupid White Men” in the Cameo Bar.”

(the Cameo’s in Edinburgh, by the way)

What a fun last three weeks!

Posted: November 20th, 2002, by John Coburn

So much to talk about…

October was probably the grimmest month of my largely uneventful year. Employment seeking had sapped all life and dignity out of me and replaced it with an overwhelming sense of despair. I had no money to buy records, watch bands or do anything else that required an exchange of currency for goods. And on top of this, a bugle (best described as a trumpet with no valves, for all those unfamiliar with military brass instruments) dropped onto my head from 6ft, seriously impairing my vision for 3 days.

But, christ on a bicycle, November has more than made up for it! Somebody gave me a job and I saw a load of great bands! I’ll start with my watching of Fugazi. Well, I’d heard so many conflicting reports about every show on this tour (read entries below, if you haven’t already). The main criticism seemed to be “the band weren’t really into it”. Well, the Leeds gig I saw was nothing short of life affirming. They played the right mix of songs, the right length of set (1 and and 3/4 hours), and Ian McKaye provided us with an entertaining selection of anecdoting and brief political commenting. But it was their absolute focus and fervent enthusiasm that made it all staggering to watch. They were completely and utterly into it. Watching Guy drop to the floor and flail his legs insanely, while McKaye barked every last gasp of breath from his lungs was staggering. And the quite beautiful and seamless transition from ‘Last Chance For a Slow Dance’ into ‘Sweet and Low’ and then into ‘Repeater’, was something I will always remember.

One week later, I found myself back in Newcastle marvelling at the sounds of Q And Not U and Red Monkey . Actually, my own musical ensemble opened the show with our brief debut performance. I think we all enjoyed and it did seem to go down quite well with the packed-out crowd. Even though, in a bizarre Laurel and Hardy moment, each of us managed to slip over on a rotten banana upon exiting the stage. Yes. A banana. On the floor. Anyway, Red Monkey were phenomenal as per usual, and remarkably tight despite the rumours they’d only practised once in 6 months, and I was really impressed with Q And Not U. Afterwards, every band celebrated the fine evening by attempting to drink some of my friend’s disgusting 98% imported Polish vodka (no, not 98% proof. This was actually 98% alcohol, like almost pure ethanol, vodka. NAILS. HARD AS). Upon mishearing that drinking enough of the stuff might cause blindness, Barry decided to test the theory by actually pouring it into his eye. Cue several minutes of pain. Two eye injury stories in one blog. Outstanding.

Next up, 9 X 9, a newly conceived nine-band half-dayer in Newcastle. All in all, an excellent mix of interesting rock music, extremely loud noise on computers, two-piece weirdy jazz bands and other eclectic wonders. My personal highlights were Brown Owl (clever quirk-rock from ex-Diesel Vs Steam, Dragon Rapide members), Cathode (purty electronica), Snail Racing (three bass guitars and drums, but with annoying three-way vocal action) and Futureheads (Yummy Fur meets Gang Of Four, with great four-way vocal action). Maybe band of the night though, was The Unit Ama. Totally unpredictable, post-rock style noise, complete with bonkers onstage moving about. They also played a blinder when supporting the mighty Econoline, who were without 75% of the band, a week later (by the way, nice meeting you, Ian!).

So yeah, one of the best November’s in a long time.