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Archive for the 'events' Category

Is January dead?

Posted: January 18th, 2007, by Marceline Smith

Is there NOTHING exciting happening this month? Normally we highlight an upcoming exciting event on the homepage but we have had nothing since mid-December since no-one has emailed me about anything noteworthy and nothing has caught me eye during my daily trawling of the web.

So, what I am saying is tell us about your events. Whether it’s a music all-dayer, a film festival, an art show, a craft fair, whatever – if you think our readers would be interested in it then maybe we’ll feature it.

Two things to note:
1. we’re talking EVENTS here, not just your average gig.
2. give me a bit of notice. I’m not going to spend time writing a blurb and finding an image for something that I can only put on the site for a couple of days.

Got anything? Email me at diskant-overlord AT diskant.net. You can email me stuff that’s happening after January too, of course.

UPDATE: FatCat‘s upcoming 10 year anniversary shows have fixed this problem for the immediate future but keep your event suggestions coming. As commented below, the Chinchilla Fest 07 is looking awesome.

Some Nightmare Before Christmas Thoughts

Posted: December 11th, 2006, by Alex McChesney

The Good

The new site at Butlins in Minehead features clean, well appointed chalets with widescreen-TVs and DVD players. You didn’t see that at Camber Sands.

Meeting fellow Diskanteers who had previously just been names at the bottom of reviews.

Alexander Tucker’s wonderful folky-melodies, which are looped and layered and looped again until building to a wonderful and soothing drone. I’m keen to check out some of his recordings, none of which, sadly, could be found at the merchandise table.

Decent weather for the first couple of days.

Lots of friendly folks who are happy to chat to you even when sober.

David Tibet and Nurse With Wound in hip-hop collaboration shocker!

Getting in to see the Stooges on the second day (despite not having the “correct” wristband). This was the last band of the festival for us, and after three days of chin-stroking, some all-out rawk showmanship was the perfect closer.

The Bad

Lengthy queues to get into the two main venues at any time after about 8pm. You didn’t see that at Camber Sands. The best tactic seemed to be to pick the stage which featured the most acts you were interested in, find a comfortable spot, and stay there. Gone, sadly, are the days when you could flit from stage to stage and potentially catch every band of the festival.

The mad crush to get on the coach to/from the nearest railway station. On the way there we opted to avoid the crowds and get a taxi, only to be scalped £45 for the privilege. On the way back we had a lengthy wait in the rain in order to have a reasonable chance of getting a seat on the first bus, and there was plenty of pushing and shoving in the scramble to get on board.

Jackie-O Motherfucker cancelling.

Third-day noise fatigue.

Our neighbours inviting the whole camp back to their chalet for a party at four in the morning.

The Ugly
Dead Machines’ samey noise and urine-popsicle story.

Music for your eyes

Posted: November 19th, 2006, by Marceline Smith

What with the rise of YouTube and “the download generation”, everyone is now rushing to offer as much multimedia content as our brains can handle. Two of Scotland’s festivals have put this idea to good use, making available all kinds of video, audio and photography on their websites.

Instal has been sadly under-covered on diskant this year (I didn’t make it along in the end) but if you wished you were there, you practically can be thanks to Instal Live, a new section of the website where attendees are encouraged to upload their photos, videos and comments on the sets. As well as this, there are free MP3 downloads of all the sets from this year including Keiji Haino & Tony Conrad, Sachiko, Tetsuya Umeda, Blood Stereo & Ludo Mich and literally loads more. There’s more content promised soon including stuff from Resonance FM so it will quite likely take you until Instal 07 to work your way through this lot.

Triptych are a little less giving as most of the music is in streamable form only but it’s still a good introduction to the breadth of artists that make up the Triptych line-up. There are also full live sets to listen to in the Triptych Player from the likes of Kieran Hebden & Steve Reid, Jamie Lidell, Candi Staton and Boom Bip. Newly added are some of the short films about the festival by aspiring film-makers which we got a sneak preview of at the GFT a few weeks back. There’s a fairly basic overview of the festival by Roseanne Davidson and a clever, glitchy A-Z by Jonno but everyone’s highlight was My New Job by Jorn Utkilen of Schneider TM, a witty and hilariously deadpan film of his rise to Triptych fame as a pop star complete with fish slice guitar and backing group of cuddly toys. Well worth a watch.

THOSE AT WORK BEWARE – the Triptych site will launch with sound on.

ATP: Nightmare Before Christmas Tickets

Posted: November 7th, 2006, by Alex McChesney

Yes, I know this is supposed to be an arts and culture blog and not some sort of hipster’s dating service, but basically we (being myself and my good lady wife) have booked a four-person chalet at this year’s ATP:Nightmare Before Christmas festival in Minehead on the 8th, 9th and 10th of December, and are in need of a couple of nice, friendly, preferably non-sociopathic persons to fill the other two bunks. Tickets are £135 a head and have sold out, so if you left it a wee bit too late, now’s your chance.

If you’re interested, do drop me a line at alex.mcchesney@gmail.com Cheers!

Update (01-12-06): After having a few offers that came to naught, these tickets are still available, so it’s not too late!

AUDIOSCOPE 06

Posted: October 31st, 2006, by Marceline Smith

So, Audioscope 06 took place last weekend and I have just about recovered. My state of ruin was possibly not helped by a free bar the night before in Glasgow and a much delayed, sardine packed debacle of a train journey (so bad the staff announced over the system how we should go about making a complaint!) but it’s always good to see Simon and Stu at the other end and catch up on everything while watching ridiculous films. Hustle and Flow does indeed teeter on the hilarious/terrible knife edge. Believe me, I shall be thinking twice before I throw any more demos down the toilet.

Anyway, Audioscope was upstairs at the Zodiac this year which was entirely preferable – tons more room to set up the merch stall, a proper high up stage, an incredibly loud PA and an offputting walk downstairs to the cakefest (which stopped me eating even more raspberry muffins than I did). I wasn’t jumping up and down with overenthusiasm at the sight of this year’s line-up for once, but it turned out there wasn’t a single band I didn’t enjoy which made the ‘best/worst band of the day’ thing even more difficult than usual. So, here’s my four favourites:

I’m Being Good – being very good indeed. Starting with possibly my favourite IBG song, they hollered, scraped and bounded through their set in perfectly timed precise abandon. Lovely to see Our Tomipus back on stage too.

Sunnyvale Noise Sub-element – still getting better and better and nothing went wrong this year! It’s been a whole year since I saw them and although they’re playing mostly the same songs, they all sound so much bigger and more confident, so much so that I didn’t even recognise half of them to begin with.

Piano Magic – sighingly lovely post-rock tinged sadness which went down surprisingly well after the Trencher/Rock of Travolta/I’m Being Good/Kids in Tracksuits string of exuberance.

Parts & Labor – I was tired and they were ear-bleedingly loud so mostly their set was like having a brain aneurysm. But, y’know, in a good way. I need to spend some time with their recorded output I think and hope for the opportunity to see them again. They also stayed over and were some of the nicest people I’ve hung out with in a long while. I’m hoping Stu will post some more photos of The Tattoo Game which they introduced us to with evil glee. Luckily my drawing skills are passable enough that I didn’t have any new tattoos to explain to my workmates on my return.

If I did have to pick a worst band, it would be Clinic who were merely slightly experimental indie and thus enjoyable without being very exciting.

Manning the merch stall was as fun as always although I was in continual fear of Clinic coming up with 7 tons of multiformatted, multidesign merch but thankfully that never happened. All the bands were really well organised and lovely and I came away with a whole armful of free stuff gifted to me (although I seem to have gifted as many box sets in return).

If you missed it, you’re a fool. I’m already looking forward to next year.

(The less said about my flight home from Birmingham, the better. Although, my train to Birmingham actually went on to Glasgow apparently not arriving there for another EIGHT HOURS! There are no words for this madness. I am now in a quandary over how to get to ATP without wanting to kill myself).

I took a few photos which are here.

Chicago Trip

Posted: October 6th, 2006, by Chris S

SUMLIN

Like great adventurers of yore, Team Damn You! set off to Chicago in September to attend the Touch & Go 25th Anniversary.
We took a squillion photos and they, along with some diary style blurb is here:

www.flickr.com/photos/sumlin

Sitting opposite the base of the 'Corn Cobs'

Enjoy with your brain!

Modern Day Festivals – some thoughts

Posted: September 4th, 2006, by Marceline Smith

I don’t normally go to festivals – too much of the camping and the terrible NME bands and the travelling for miles and the overpriced tickets. Up until the still genius concept of ATP my festival goings had consisted of 1 day at T in the Park when it was just outside Glasgow, 1 day at the Leeds festival courtesy of Trail of Dead and 2 days at Gig on the Green in central Glasgow. In the past week and a half I have been to TWO festivals. They were Cross Central in London last Saturday and Indian Summer in Glasgow this Sunday past.

Some good things I will concede about festivals:

FANTASTIC BANDS
This for me is the winner. I do not see the point in going to a festival if you don’t want to see any of the bands, however good the “vibes” are. Standing around watching crap bands while shouting at your friends is one of the most tedious things I do. Thus I was a little put out when Cross Central dropped a whole bunch of bands from the bill including Animal Collective, 1990s and Four Tet (who DJed instead). Indian Summer did the opposite, adding an extra stage that pushed the bill from meh to worth paying money for.

Some fantastic bands I saw:

Shy Child – loud and fun and a nice surprise since I knew nothing about them, and still don’t.
Ladytron – sounded HUGE with the bass almost drowning out their icy charms and playing all the songs I wanted them to, meaning I wasn’t too upset at missing Ellen Allien.
Dananananackroyd – just brilliant; an entertaining controlled mess of hardcore/emo/postrock that sounds wonderfully fresh.
CSS – a proper fun festival band with tunes, cute girls, choreography, polite stagediving and charm (“we love you! buy us drinks!”). I loved them. I didn’t buy them drinks.

CENTRAL LOCATIONS
Maybe this is the winner actually. Festivals that are so central you’re not even allowed to camp. Cross Central took place in some warehouses in Kings Cross which was so exactly like a festival site made out of concrete instead of grass it was slightly disconcerting. I don’t know what they use this place for normally, unless most disused train depots have a fully functioning club/bar tucked away in the far corner, but it really was ideal for this kind of thing with lots of big areas for stages (with real ceilings!) and lots of courtyard space and arches for hanging out in. Their major mistake was having three of the four main stages all situated upstairs with only one entrance/exit and then sticking some DJs just inside that so it was a constant bottleneck and made random checking out of stages not worth the effort. At least it all dried out quickly after the rain though. Indian Summer was a bit less central, held in the lovely Victoria Park in the West End, a good 10 minute walk from the bus stop. Still, being able to get a bus practically door to door was pretty awesome.

RANDOM MEETINGS
The bit that makes me feel less like a friendless loser and more like I know EVERYONE. I love the bumping into people you haven’t seen in forever, seeing a couple of bands with them, losing them one by one as you all find other people, repeat.

Bad things about festivals you cannot deny:

TERRIBLE BANDS
Possibly the only good thing about these bands is for bonding with people you’ve just met about how appalling they are and for giving you a break to go get food etc. without missing anything worth seeing. Luckily for the terrible bands at Cross Central, I have forgotten your names. Unkle Bob, you are less fortunate. Maybe I would have hated you less if you weren’t sandwiched between Dananananackroyd and CSS, or if I hadn’t missed Errors but seen you. But maybe I would. But let’s face it, at least half the audience was there either to get a good spot for CSS or to shelter from the pissing rain. Not terrible but disappointing were Camera Obscura who have either lost their sparkle or are not quite suited to the main stage in the mud and Gang of Four who I could clearly hear had been great back in the day but were now tedious. Drum solos, I ask you.

STUPID SCHEDULING
I can see this turning into WHY ATP IS GREAT. With ATP you get the running order with times days before the festival and you get a booklet with descriptions of the bands encouraging you to see them. Other festivals seem to be happy to force you to buy a laminate to get stage times and line-ups and with zero information on the bands. I managed without one at Indian Summer but Cross Central’s layout was so confusing and unsignposted that it forced you to buy a laminate for the map so you could try and figure out where to find anything. Not knowing the times meant I missed Errors (opening Indian Summer at a ridiculous 2:45pm) and arrived way too early at Cross Central (I’d have rather had a nap and done 10:30pm-5am than an exhausted 8pm-3am). I’ll also mention No Pass Outs here which is the single most moneygrabbing evil capitalist thing about festivals. You have our money already, must you force us to stay all day and eat your crappy overpriced food as well?

SOUND BLEED
Stop trying to cram so much into too small a space. If you can hear Camera Obscura when Dananananackroyd are playing you’re not getting it right. If you can hear what’s happening in the next stage while Ladytron are playing the loudest set ever you’re not getting it right. Call me ungrateful but I’d rather hear one good thing than 4 good things at the same time. Also stop cramming so many people in. What’s the point of DJ sets if there’s no room to dance?

GLASGOW = RAIN = MUD
If you hold a festival in Glasgow in September it will rain. If you call it Indian Summer it will definitely rain. What were they thinking? The first 10m in front of the main stage was a mudbath and everyone talked of the Dance Tent’s floorboards in awe. The only saving point was the fact that the audience appeared to consist of everyone from Glasgow who goes to gigs and thus is well used to rain. More than one person pointed out that we all stood around chatting in the rain while there weren’t even any bands playing outside. It was also freezing. Please move to early August next year, thanks.

So, in conclusion. Festivals are rubbish, except when they’re good. See you at ATP!

I wish I was at ATP

Posted: May 19th, 2006, by Marceline Smith

Well, not entirely but I’ve just been doing some of the tedious re-keywording of the entire diskant archives (oh the fun of an Overlord evening) and re-reading our ATP round-ups with much nostalgia. Those truly were “the days”.

Anyway, looks like Barry Hogan has been keeping an eye out as I see we predicted both Sleater-Kinney and Mudhoney as future curators back in our ATP 2004 round-up. Go us.

Some new festival thang

Posted: April 4th, 2006, by Simon Minter

I just read this:

The UK’s biggest Festival organiser, Mean Fiddler (Reading/Leeds, Glastonbury) announces the arrival of something a little bit different on 14th – 16th July 2006.

This brand new festival is situated in the beautiful grounds of the historic Henham Park Estate in Suffolk. Positioned near the most easterly English coastline between Southwold and Aldeburgh, Henham has been in the Rous family line since 1544. The vision of Mean Fiddler boss, Melvin Benn, Latitude is inspired more by European festivals such as Lowlands, than anything currently on offer in the UK. Expect Music, Art, Comedy, Film, Literature, Theatre, Performance Art, Dance, Sculpture, Workshops, Restaurants and Waiter Service Bars. In short – the best bits of all festivals rolled into one.

Not exactly sure what it means. A music festival? Some kind of art happening? Reading festival without the camping and marauding beerboys? We shall see…

Chapter #346c in the saga of amazing gig promotions…

Posted: March 22nd, 2006, by Dave Stockwell

Tying in amazing well with our recently-published DIY guide for bands looking for gigs, once again we receive joyous news via the rapturous medium of Myspace.com:

“—————– Original Message —————–
From: ******* Promotions
Date: Mar 20, 2006 10:35 AM

Hey guys, ******* Promtions [sic] are organising an all day BOTB on the 21st of May 2006 at the Old Angel in Nottingham and were wondering if you would be interested in playing at it? The prize will be a record contract with ******* Records!

After huge success with gigs of the same nature in Wakefield and Derby giving us 2 awesome bands on our label (** ** ******** and ******) we have decided to do some more!

All you need to do to secure your place on this awesome gig is to be able to sell 20 tickets for £5 each and then send us the money. Simple. This money then goes to the winning band in the form of a tour, merch, demos etc etc etc.

Hope you are interested if so please give us the address to send the tickets to.
Thanks
******* Promotions”

…All of which would be fine – horses for courses and some people see these things as opportunities, others (well, okay, us) see them as scams, yadda yadda yadda… read our guide for my personal opinion on such things, but feel free to form your own…

BUT.

…the guy had contacted Bologna Pony to ask them to take part in a battle of the bands. Without wishing to disrespect anyone, can you really believe that this guy took the time to actually listen to Bologna Pony before he invited us to play? Do you think he really does want a horrifically loud improvised noise/drone band to actually play in a musical competition (for a contract entirely funded by sales of tickets for the gig)? Jesus Christ, think of the punters who turn out for their mates in the other bands! Scratch that: think of the other bands!

And whilst we’re on the subject; just how is the competition decided anyway? Because, let’s face it, Bologna Pony wins. Sorry guys! Personally, I was thinking we should enter just to see how many people we could upset this time around, but Gareth told me he’s already said no. Another opportunity missed…